January 2015, Eastern Virginia
The icy fog of winter swallows the Mid-Atlantic. The temperatures drop below freezing and weld the fog to all that it touches. Everything – limbs, leaves, porch steps, 1999 Honda Civics – are glazed with an 1/8 inch rime. Were I snail and one who could skate, I would don my snail sweater and skate (having only the one foot) and invite all my snail-skating gastropod-friends to my front steps and glide from one rail to another. Limbs sag heavy under the new weight. I – not wanting to skate on my steps – grab the rail. It too is slick with the icy slobber of a winter fog – and hold both my breath and myself as best I can. Winter redeems itself as an artist – the world now a garden of ice sculptures.
I scrape ice from my windshield with an bottle because apparently owning an ice scraper is much too much of a luxury. THe holes I make in the ice likely are not street legal as most of my view still obscured, but I take my chances and drive of to admire winter’s artistry.
Of course I stop in the marsh. That is what you do when every surface you touch is lacquered with ice. Here in Virginia the Spartina stems – though dulled and browned with age – still stand. Today they glisten. Each leaf, each stem encased in a crystalline sheath. One that is cracked like, but intact. Like a mosaic of glass pebbles – each magnifying the beauty of which it clings. On the bushy marsh elder, each leaf is a glassy pendant.
My hands, without any sheath – glove or ice or otherwise – beg me back to the car. From the comfort of a defroster I admire what is now an icy meadow of marsh. By the weekend, the 50 degree temperatures will strip away the artistry of winter, each glassy sculpture losing its luster yielding to the rough concrete texture of winter’s true self.